I have been busy with my dissertation, and hence pretty absent from this space. I reiterate that you should subscribe to this blog with an RSS reader if you haven’t already, because you never know when the skies might open up and I’ll decide to write another post. One thing I will be doing occasionally is writing at the new blog of my friend Matt: Songs About Radios. It’s an idea whose time has come, an intelligent and articulate music blog that thinks and feels about music rather than simply concerning itself with staying ahead of the indie rock curve. Here’s a quote from his inaugural post:
And so, I hope this little space where my hand is on the dial will be a chance for some of us to share our love of music. In the posts that follow, I’ll do my best to share some of my favorite artists, new and old, familiar and obscure. Rather than trying to keep up with the latest currents in music (there are already enough blogs reposting practically every track on Pitchfork.com), I’ll stick to music that is meaningful to me, and I’ll make an effort to tell you why in language that’s more heartfelt and less impenetrable than the academic blog which I’m leaving behind.
Along those lines, I’ve written a brief comparative piece about “Thunder Road” by Bruce Springsteen and “Crucify” by Tori Amos for his “Parallel Lines” series, which will concern itself with articulating specific points of comparison and contrast between particular songs.
You will also perhaps be interested in the efforts of my mysterious colleague Milo Cantos, who has just started a blog called Zombie Public Speaking in which he will post from his prolific musical recordings, some of which feature myself on flute, vocals, or melodica. He promises to keep it brief, and I highly recommend him if you like your music to feature any of the following: Ph.D.-level lyrical cleverness, garage-electronic production, irony, earnestness, distortion, orchestral instruments, and/or people laughing in the background.